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“One good thing about music, when it hits you, you feel no pain.” – Bob Marley
Aadat Jigar Hisaab

Aadat Jigar Hisaab

Aadat-Jigar-Hisaab (Habit-temprament-calculation)   Old scholars who are not specialized in reading and writing, while talking recite some words, which the students of music are eager to know the meaning, habit in those words, the liver and the calculation, which...

CONTEMPORARY MUSIC

The Vedic era of Sanskritic History is considered to be the oldest in the cultural history of India.  In this era, the four Vedas have expanded, namely, 'Rigveda', 'Yajurveda', 'Atharvaveda' and 'Samaveda'.  Among them, 'Rigveda' is the oldest book in the world in...

What is Taan Bol-Alaap and Bol-Taan

Alaap-Taan and Other Definitions in Ancient Times In ancient times there was a healthy rule to create an Alaap. In the book of Sangeet Ratnakar has its description: Entire raag is dependent on Ansh Swara. That's is only called Sthaai. The fourth swara of sthaai is...

Jaati – Singing

Jaati – Singing

Jaati - Singing Along with the Gram and murchna, it is necessary to make the Jaati Singing also clear.  In ancient times there was no object called 'Raga'.  In place of 'raga', at that time these Jaati were actually mool-ragas.  Different forms these Jaatis, many...

Alankaar and Raga

Alankaar and Raga

Alankaar  The defination of Alankaar is as follows:  Alankaar - Some regular Varna communities are called 'Alankaar' . Alankaar means aabhushan or jewel. Just like jewels increases the grace of physical body, in the same manner Alankaars enhance the beauty of singing....

Indian Thaat Origination

Indian Thaat Origination

Indian Swara Octave Development   The Swara Octave which is clarified in India is from Sa to Ma, the order of interval. It is important to understand for prior students of music in the context of Indian Swara Octave development, that  Swara Octave categorised by...

Growth of Musical Octave

Growth of Musical Octave

Musical Octave Development  In origin of Swaras, one of the first swaras recognised pleasant to ears were Shadaj (Sa) and Pancham (Pa) Swara. It was realized that there is some gap between these swaras which is haven't filled up yet. After more research Mathyam (Ma)...

DHWANI VIGYAN

Naad “Nakaar” is Pran vachak and “Dakaar” is Agni Vachask. Therefore the sound which is generated from the connection of air and fair is called as Naad. Usually two types of naad are there: Ahat and Anahat. Both the Naad have appeared in the body, so the...

FORMS OF SHRUTI

FORMS OF SHRUTI As we can see there are 2 names as Shruti and swar, but there is no special difference in both if seen carefully. Because both the voices are helpful in music, are used in singing and both voices can be heard clearly. Now let’s explain the...

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