by Vinit Kumar | Jan 28, 2025 | History, Indian Classical Music, Information, Music, Sangeet
When the notes and rhythm of a song or instrumental performance are written down, it is called notation. In ancient India, a basic form of notation existed as early as 250 BC—long before Panini’s era. Early notations were in their infancy, using only the first letters...
by Vinit Kumar | Jan 20, 2025 | Hindustani Classical Music, History, Information, Music, Sangeet
In the Vedic era of India, the four Vedas—Rigveda, Yajurveda, Atharvaveda, and Samaveda—formed the bedrock of spiritual and musical tradition. While the Rigveda, the oldest text, contains metrical hymns (called Richa) praising deities and describing rituals, the other...
by Vinit Kumar | Jan 15, 2025 | Hindustani Classical Music, History, Information, Music, Sangeet
Indian classical music is steeped in centuries-old traditions and nuanced vocal techniques. This post explores a range of ancient definitions—from the foundational Swasthana to complex tone variations—shedding light on how these elements shape the art of vocal...
by Vinit Kumar | Jan 10, 2025 | Hindustani Classical Music, History, Information, Music, Sangeet
Indian classical music is a treasure trove of vocal expressions that have evolved over centuries. In this post, we explore a variety of singing styles—from the rhythmic bounce of Tappa to the soulful strains of Lok-Goth—each with its own unique history and flavor....
by Vinit Kumar | Dec 31, 2024 | Hindustani Classical Music, History, Indian Classical Music, Information, Music, Sangeet
This guide provides detailed descriptions of several ragas from the Indian classical music tradition. Here you will find in-depth information about each raga’s form, notation (including ascent–descent patterns), and performance timings. The following sections cover...
by Vinit Kumar | May 15, 2020 | Information, Music
What is Modern Alap In Modern Music, under ancient fixed and unfixed songs, only one part under unfixed songs is in the publicity and that is ‘Alap’. Alap-singers were often whose voice was attractive and raga-knowledge were of a high order. This is how...
